Carhartt wip la haine
But few labels have had such widespread appeal as Carhartt, commanding attention and adoration on both coasts, from the likes of Nas and Naughty By Nature, as well as Tupac and Eazy-E. You could point to any number of workwear brands as an exemplar of this one facet of hip hop style: Timberland’s wheat-coloured boots have been an enduring New York staple – dating back to the days of Notorious BIG and a young Jay Z, who would who would buy a fresh pair every Saturday and sign his old ones for the sales assistant to keep – while on the West Coast, Dickies have long been the go-to choice of workwear for rappers, an extension of the style favoured by the gangs of Compton and LA. Rap has always maintained a glut of figures who value such qualities, specialising in a particular brand of steeliness. It has a purpose and a grit about it, projecting these values through tough fabrics and utilitarian pockets. Workwear has almost always provided the latter. But most rappers are not Young Thug, and could only dream of being 3 Stacks, leaving others to tread the tightrope between flamboyance and a sense of street-level authenticity. There are, of course, outliers – from Slick Rick to Andre 3000 to Young Thug, these are exceptions that prove the rule, who have created their own spaces in which to exist. Much of its aesthetic has been defined by this tension, a subtle push and pull between fierce individuality and not pushing things too far and leaving artists vulnerable to derision. Hip hop has a vast, complex and nuanced sartorial past, but one of its most common and recurring motifs is tension. In The History of Hip Hop Style in Four Brands, which coincides with the A/W18 men’s shows, we look at those brands whose wares or influence continue to resonate. But some brands have left a lasting impact, either stylistically or on how we have come to view hip hop as a driving force within contemporary fashion. To chart each one – often specific to regions or neighbourhoods, or trends with limited lifespans – would be impossible. Each epoch of this subculture turned de facto pop culture has come with its own host of styles and labels. This piece is exclusive to Carhartt WIP friends and family, and crew members from the film.Ĭarhartt WIP for La Haine 25th Anniversary will be available from December 3rd at select Carhartt WIP stores and it’s Gucci and Louis Vuitton riffing on the work of Dapper Dan, or the contemporary streetwear labels building on the foundations of early pioneers like Stüssy and X-LARGE, hip hop’s influence on how we dress in undeniable, and fittingly, impactful. In addition, there is an embroidered Active Jacket, like that worn on the set of the film by Kassovitz, a longtime friend of the brand.
Three of the t-shirts feature behind the scenes shots by the photographer Gilles Favier,* whose stark, black and white photography helped inform the film’s aesthetic. The resulting capsule collection consists of seven pieces, including a hoodie, t-shirts, and a beanie similar to the one worn by the character Hubert.
In La Haine, Kassovitz gave a voice to these experiences, as well as highlighting the stark contrast between life in the banlieues and Paris itself. While Kassovitz’s film is fictional, the stories and characters it featured were very much reflective of reality.
While Vinz vows to take revenge if the hospitalized Abdel dies, Hubert portrays a calmer, more considered demeanour, with the lively Saïd providing something of a link between the two. Shot entirely in black and white, this seminal work shone a light on the tensions between those who lived in the banlieues – typically some of the city’s poorest inhabitants – and the police, whose presence was often symbolic of a political class unwilling to address the wider, more systemic issues in these neighborhoods.Ī tale of teenage boredom and lost youth, Vinz, Saïd, and Hubert resolve to live the most important day of their lives, after a night of riots sparked by the beating of their friend, Abdel Ichah, by a police officer during an interrogation. To celebrate the 25th anniversary of the release of the iconic French film La Haine, Carhartt WIP has created an exclusive capsule collection in collaboration with its creator and director Matthieu Kassovitz.įirst released in 1995, La Haine recounts a whirlwind 20 hours in the life of three friends – Vinz, Saïd, and Hubert – from Paris’ banlieues, found on the outskirts of the French capital. Carhartt WIP for La Haine 25th Anniversary